MESSAGE FROM THE EAST
Brethren,
2009 is off to a great start for Germania Lodge! It seems we have a degree almost every meeting. More and more of our members are YOUNG, smart and really interested in Masonry and Germania Lodge! Most, if not all of our new Master Masons are participating in our degrees. Less and less Past Masters are needed to fill out the degree teams.
I regularly visit various lodges in other districts and I can tell you that our Germania fellowship is special and unique. Many lodges require help from other lodges to confer their few and far between, degrees. We should all be especially proud to be Germania Masons! I consider it a privilege and honor to be Master of our lodge this year.
The lodge hosted a very well attended party the afternoon of the Endymion parade, for our members, families and friends. I had all positive comments on the restoration of the lodge and how much our hospitality was appreciated.
WB’s Andy and Melvin Mimms are continuing to work in Germania’s quarry and our upstairs “temple” is nearing completion. Our caretaker, Kenny Cox should also be acknowledged for his on-going help to the Mims brothers with our lodge restoration. Please thank Kenny when you see him. If you have not been to our lodge in awhile, PLEASE, make time to again join us for a night of great Masonic fellowship, food & refreshment. You will be glad you did!
Our degree team, under the leadership of our Degree Team Captain, Donald Freeze, SD, conferred an EA degree Saturday, March, 7 in Crowley at the request of our member, Larry Sauers, whose son was initiated there. WB Andy Mims again sat in the East. We received a special dispensation from Grand Lodge for this event.
As I said at my installation, I solicit and welcome any and all suggestions as to how we can improve our Masonic experience at Germania Hall, both at labor and refreshment.
Please feel free to e-mail me at: glenncupit@msn.com or call me at 225-235-2463.
Best Fraternal Regards, Glenn
MASONIC BIRTHDAYS – MARCH
Klaus “Joe” Kueck P.M. 03/13/1974 - 35 yrs.
Fred Hart P.M. 03/26/1980 - 29 yrs.
Ted Kurz D.C. 03/26/1980 - 29 yrs.
Tom Mason 03/12/1986 - 23 yrs.
Bobby Barth P.M. 03/25/1992 - 19 yrs.
Lynn Seymore P.M. 03/25/1998 - 11 yrs.
Wilson Revelle P.M. 03/16/2005 - 4 yrs.
Jeff Alloway 03/16/2005 - 4 yrs.
MASONIC BIRTHDAYS – APRIL
James Miller 04/13/1966 - 43 yrs.
Joe Monaghan P.M. 04/28/1966 - 43 yrs.
Troy Tomlinson 04/14/1993 - 16 yrs.
Charles Bopp 04/12/1995 - 14 yrs.
Louis Robinson 04/23/1997 - 12 yrs.
Jerry Embree 04/26/2000 - 9 yrs.
David Brassieur 04/25/2007 – 2yrs.
Aaron Ronskley 04/25/2007 – 2 yrs.
Dante and Cervantes Lodges are uniting for a fundraiser at Germania Hall. The date is April 18 @ 4:00 p.m. to 8:00 p.m. The cost is $20.00 per person and includes all the crawfish you can eat and drink. Please call Bro. Donald Freeze at 504-338-5537 to RSVP. All profits will be shared by Dante and Cervantes. Germania members and family are encouraged to attend and support our 16 th district lodge brothers. Through out the years Dante has stuck with Germania through good times and bad.
![]() |
||
|
MASONIC EDUCATION Die Zauberflte (The Magic Flute) Wolfgang Amadeus Mozart lived to only his mid 30s, but is acknowledged to be one to the great minds of Western civilization. There were three factors which made him what he was. First, he was a genius. Modern analysis suggests that his IQ was about 185. Second, he was a prodigy. By the age of six Mozart had become an accomplished performer on the clavier, violin, and organ and was highly skilled in sight-reading and improvisation. Five short piano pieces composed by Mozart when he was six years old are still frequently played. Third, his father pushed him as hard as a parent could push a child.
The Magic Flute was first performed at the end of September, 1791. Mozart died two months later. In composing The Magic Flute, Mozart was aided by 3 other Masons, among them, Emanuel Schickeneder. Shickeneder owned a suburban theater, and had prevailed upon Mozart to write an opera. At the time, Freemasonry was threatened in Austria, so this opera was to show the Craft at its best: morality and virtue abounded in it. In addition (at least according to some sources), women were attempting to get into the Craft. They had their own Rites of Adoption, i.e., "adopted" by Masonry, but they wanted still more secrets. Therefore, in this opera, Mozart (and his collaborators)demonstrated the virtues of Freemasonry and satirized women who wanted to join the Craft.
The overture is in the Masonic key of E flat (3 flats). It begins with 5 strong chords; then a choppy (profane sounding) section; then 9 chords in 3s; then another choppy section; ending with 3 strong chords. In the first scene, the protagonist Tamino comes in, wearing a Javanese hunting costume (he comes from the mysterious East), carrying a bow but no arrows (he has not been prepared), and is pursued by a serpent (temptation). He faints, falling level on the stage, appearing to be dead. He is saved by three women wearing veils (so they cannot see light), who use silver spears (silver is a "female" metal inferior to gold, a "male" metal). The "Three Ladies" argue over him, each wanting to possess him, but finally go off to tell their sovereign that Tamino may be able to help her with her problem. After the three ladies run off, Tamino comes to and hears Papageno coming down the path. Papageno's name comes from a French word for parrot. He is dressed in feathers. He is a true bird-brain, for he cares nothing for the greater mysteries of life. He is a foil for the noble Tamino. Mozart wrote Papageno's part for Emmanuel Schickeneder, the Mason who owned the theater and begged Mozart to write this opera in the first place. Since Schickeneder did not have much of a voice, the part is fairly easy to sing (great for the shower!). Papageno sings a famous song about catching birds and catching women. Mozart wrote only 2 stanzas; one was added after his death by an unknown writer. This 3rd stanza should not be in the opera,but is sung today at every performance of The Magic Flute. After Papageno sings, Tamino comes out, and the two men have a prolonged conversation. This conversation is never presented completely today. It begins by T. taking P. "by the hand." He asks P. who he is; P. answers, "A man, like you." They carry on a conversation which informs us that P. is an orphan who catches birds for the Queen of the Night (the "Star-flaming Queen"). As we will subsequently see, the good guys (the men of the Temple[i.e., Masons]) rule over the sun, which of course provides real light. The Queen rules over the stars, which provide very poor light. ] When T. asks P. if he killed the serpent, Papageno replies that he did: "my hand is greater than a weapon." The Three Ladies return and punish P. for lying. They place a golden lock on his mouth. As you will recall, there were women in Austria in the late 1700s who were trying to get into Masonry through the Rite of Adoption. This Rite placed a golden padlock on the postulants mouth as a symbol of silence. In the opera, this symbolizes Papageno's weakness, as a woman is able to punish him. The Three Ladies hand Tamino a portrait of the Queen's daughter and leave. T. falls in love with the girl in the picture and sings a love song. The Three Ladies return and inform T. that the girl Pamina has been kidnapped by a villain. Tamino resolves to rescue her. The Queen of the Night appears on a throne and sings to him that he will save her daughter ("You...you...you"). Tamino says he will. Papageno tries to get Tamino to remove the lock, but T. states that "I am too weak to help," meaning that has not been initiated yet. The Three Ladies appear again and remove the lock, warning P. never to lie again. At this point the 5 players turn to the audience and moralize, as often happens in this opera: "If all liars had such a lock on their mouth, instead of hatred, calumny and black temper, love and brotherhood would endure." Peter Kastl, PM - Albert Pike #376 - New Orleans, La.
|